Creative Agency - professional filmproduction - Dynamic CONTENT

We are CINEMATICZ

What We Do
Unmute

About CINEMATICZ

We are a creative agency located in ULM, GERMANY. We want to create the best possible Videocontent your bucks can get!

Timeless Experience

Zeitlose Inhalte – Nachhaltige Investitionen

With the right taste

Ihr Video soll keine Eintagsfliege sein?

Passion leads to design, design leads to performance, performance leads to success!

CINEMATICZ - Creative Mindz meet Cinematic Execution

Our Service

Our quality standards apply also in terms of service, technical expertise and advice. Our dedicated employees are happy to assist you with know-how and experience your daily business.

FLEXIBILITÄT

Ihre Videoproduktion lässt sich so vielseitig einsetzen, wie kein anderes Medium!

FÜR ALLE SINNE

Mit Ihrem Unternehmensfilm sprechen Sie auf AudioVisuellen Ebenen – transprotieren Informationen & Gefühle 

WERBEN OHNE GRENZEN

Durch das WWW kann Ihre Message sogar den Eskimo erreichen.

Fast & Friendly Support

SERVICE bitte mit Großbuchstaben.

Work

We believe our work speaks for itself. Browse our most recent projects below.

PLUTA GmbH – 2K14

 

BMW Reisacher – Imagefilm

REISACHER – Minis on tour 2K12

HAUS AM SEE – 2K13

CINECONCEPT

CHUCK IS BACK PART III

ISSMAT – and the hope will last…

SABRES ULM

ORTHOPÄDIE TECHNIK – MESSEFILM

CHIMOSA TRAINING

  • Camera: RANDOM

Editing:
- B&W conversion in Silver Efex Pro (not liking the new version BTW).
- Pretty much just brutal contrast enchantment.
- Added in structure, grain and fake blur to the right just for kicks.

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Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum.

FS700 – PHAZE ONE

  • Location: New York
  • Camera: Fujifilm X100S

Hi everybody,

this is our first test with the Sony FS-700.

The flickering will be the first thing You notice, when watching this video – but to calm You down:

this happens, when You shoot super-slowmo @50fps and conform the footage to 25p in post – NEVER do that, as the camera-processing seems to be really optimized for the output-framerate you dial in.

Maybe I didn´t read it in any review or didn´t read carefully enough.

Neverless – to get the most out of the Sony FS-700 in terms of slow motion, stay at 24/25p while slecting 240/200fps and you´ll be in most cases fine. Playing back this footage at 50fps will not show up that unhealthy amount of flickering.

What I really like about the camera:

- it is simply the most feature-packed and versatile videocamera in that pricerange!!! Without any competition!
- clean and detailed picture with robust processing for colorgrading in post
- very nice lowlight capability
- very flexible (PAL/NTSC-swithable – 24/25/30/50/60 fps unlike the C100/C300 for example)
- Super-SLOWMOTION without sensor-cropping!:
100/120fps to 200/240fps @ FullHD and just a little bit resolution-loss
-

What I don´t like:

- only 8Bit
Hopefully the upcoming firmware-upgrade will bring at least 10bit HD-SDI-output for affordable recording options! IF NOT: I´ll see the tear running down my cheek :-(

- Weight and the formfactor are miles away from the comfort, using a dslr or mirrorless camera
I AM A BIG FAN OF MOBILITY AND MINIMALISM – I wish the GH3 would have a a real super-slowmo in it!
With the FS-700 movcam-rig and the 16-50mm Sony 2.8 this Baby will bring about 4,5kg on the scale – having a problem with the steadycam-options within my price-range…any recommendations?

- Even though I think the grain looks nice: the BITRATE should be higher
(maybe with a future-upgrade) to get an even more filmlike grain and more robust footage for colorgrading

- tooooo many knobs and buttons for my taste

- a fast 2.8 zoomlens with a focal range from about 16-100mm is really missing (is it so hard to build?)

- the 4K-Option seems more like joke! Sorry but did You already see the unaffordable 4K-setup?

- most other things have already been said

Conclusion:

What is a Camera with 8 BIT video-processing and slowmo?
“It is something like a flexible and fast-running donkey.”

What is a camera with10/12 BIT recording and without slowmo?
“It is a big galloping horse in all it´s glory but not willing to run ;-)”

Yes I know: it´s the artist, not his tool, who paints the picture…

….a better tool will definately benefit You as it expands Your creative possibilities (take a look at how beautifully You can for example color-grade RAW-footage from the Black Magic Cinema Camera!!!) -

But let´s be honest: how many of Your clients will be disappointed if you use your camera right? or say: “This doesn´t look like an Alexa!”

When “testing” is over, you´ll have the story in focus – believe me…

Thanks for watching and sorry for the flickering ;-)

Music by M83.

 

REISACHER BEATBOX 2K12

  • Camera: NEX7

 

Hi again,

this is a commercial shot again on SONY´s NEX-7 during 4 hours.

What you see, is 90% footage straight out of the camera – no color correction, no noise reduction – just a little bit “POP” from “LOOKS”….

I used only one lens – the georgous SONY 16-50mm F2.8 with the LA-EA2 adapter.

What else could be said about this project: it was more or less a fun shoot – aiming the attention of the web …

We started to set lights etc….but relatively fast realized, that the available light was simply more appealing and sometimes less is more…

The conclusion of my last project was, that using a camera like the NEX-7 for lowlight is not the best choice compared to the FS-100 (if you didn´t see it until now: find it here vimeo.com/cinematicz/concept-2012)
BUT when you´re shooting under “normal” conditions, I believe the picture is very similar to what the fs100 produces.

A friend of mine asked me if I color corrected the footage, because he strives hard to get his AF101 look like that….maybe the highlights….maybe just the feel of the image…I don´t know.

All I know is, that the NEX-7 could deliver beautiful images…sharp – with nice detail, beautiful color rendition and very useful dynamic range straight out of the camera!

Comared to other HDSLR cameras, the NEX-7 has the ability to influence the look with a respectful range of picture settings (I really like the natural picture-profile).

Conclusion:

If used right…the NEX-7 might even fit in bigger production environments – that´s at least what I think….just remember what the market offered 5 years ago and look at what you can get now for the small bill and what creative possibilities are given.

I will not hesitate to use it again….and again…and again…at least until the FS700 comes out – that´s a game-changer for me, cause I my second name is slow-motion!!!

Thanks for watching and (if you like) sharing!

 

Canon
Microsoft
Samsung
Kodak
Sony
  •  Das beste in Sachen Film und Kinoproduktion was Ulm und die Umgebung zu bieten hat!

    Swen Schulmeyer / Reisacher Marketing
  • It is always a pleasure to work with you guys!

    Steven Spielberg

Wenn “gut” nicht gut genug ist!

Für unsere Auftraggeber heißt das: Cinematicz ist so groß wie nötig und so spezialisiert wie möglich...

Get in touch NOW!

We are good at

Each completed project makes us even more hungry, hungry for more designs, more code and at least some more twinkies. As a result we deliver a better VIDEO experience.

Creative MINDZ
90%
Cinematic BRAIN
90%
Killer EXECUTION
90%
UNIQUE Style
85%
Animationz
70%
We can't stop working
100%

WANT TO KNOW MORE?

Our Products don´t inherit magical backgrounds - it is the resut of extremly hard work, passion, research and a lot of coffee, THIS IS HOW WE DO IT!.

Without regional competition!

Creative design from the South